FSHN BNKR FT. C/MEO COLLECTIVE CULLOTES

Dear Diary,

Back again with another goody from fashion bunker. Today’s post is featuring the bottom half of my co-ord set… The culottes (see the matching top here). Culottes are a very risky piece of clothing. Depending on your body type, they can either be a hit or a miss. Being that I already have legs that never end, the hem of the pant don’t hit me at an awkward length. I guess I can count that as one of the advantages of being tall.

STRIPE007

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BNKR ft. THE C/MEO COLLECTIVE CROP

Dear Diary,

I am a lover of all things cropped. Which is why I couldn’t get enough of this voluminous top from Fashion Bunker. I purchased this top as a co-ord  set (here)  for my birthday, and the great thing about co-ords is you don’t just have to wear them as a set all the time. You also have the option of mixing and matching each piece with other articles of clothing.

BNKR005 Continue reading “BNKR ft. THE C/MEO COLLECTIVE CROP”

IN CLOVER CANYON

Clover Canyon had a sample sale a month ago that I was dying to attend. Unfortunately I was unable to go because of my 9 to 5, but my awesome babe Faith surprised me with this gorgeous floral print short sleeve from the sale.  Don’t I have awesome friends? I am a huge lover of prints, but  what I truly adore about this shirt is how versatile it can be. In my case, I went for a outfit.  SUNDAY PRINTS 046

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KANYE WEST x STEVE MCQUEEN Pop-Up Installation at LACMA

Dear Diary,

It was pretty awesome being at the LACMA for Kanye West and Oscar-winning director Steve McQueen’s short film.  The duration of the film was 9 minutes, and shot in one take at a historic dockyard outside London. Despite my  inability to share  some images from the installation with you all, per Mr. West’s strict regulations of keeping the video exclusive to the museum, I want to compensate by leaving you with a quote from the director elaborating on the concept of the film ; “The video for Kanye West ‘s song All Day/I Feel Like That plays upon the relationship between the camera and the subject. As in a meeting between the bull and the matador, it remains unclear who chases whom within the arena. The roles of pursuer and pursued are at times inverted. Shot in a single 9 minute take with natural lighting and minimal context, McQueen accentuates the immediacy and intensity of the performer up close. Every movement of West is seen; every breath felt. It becomes apparent how the song itself fuels West’s performance, from the tornado in “All Day” to the vulnerability of I Feel Like That”

MIISTA 107

 

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